I don’t try to imitate someone else, I do what I like with no apologies. I need to like what I do.Īlmost everything I’ve done, no matter what the job or creative direction, I make it my own. I listen in the car, in the shower, while I’m cooking, whatever. The thing I’m definitely most proud of is my work. In my opinion, music should be about making you feel good, so that’s what I try and focus on. So it’s a natural fit for KPOP and JPOP (especially female groups) and for younger leaning companies like Disney and Nickelodeon. It’s what I listen to and what I enjoy writing. I’m known for generally making upbeat, fun, happy pop music. I have other people helping me in many ways, and without that help, I wouldn’t have success, but at the end of the day, the most important thing is that the client likes me and my music. So my job is to sell my music and to sell myself as someone who clients know will get the job done, is reasonable and easy to work with, and is reliable. I’m a music composer, producer, songwriter, mix engineer, etc. So, as you know, we’re impressed with AmberSongs Productions – tell our readers more, for example what you’re most proud of as a company and what sets you apart from others. And now, I’m happier than ever being here and doing what I love doing. But once I just dove in, put the blinders back up and started working, things got better.
And a couple months later, I made the move from NYC, where I had made my home, all the way across the country to Los Angeles.īeing a stranger in a strange land, while my confidence was at an all-time low, was a huge challenge. This made me really question my abilities and if I had what it took to be successful. At around the same time, I received some really harsh criticism from some people I really respected in the industry. First, a show I had just worked on for more than a year flopped. There was only one time I thought about giving up, and a combination of things caused it. So I kind of just tried to put blinders on and move forward, make decisions from my gut, take any gig I could get, etc. Most of the challenges in this business come from the uncertainty of not knowing where the next paycheck is coming from, and what’s going to happen tomorrow. I got rejected from about 12 before one of them gave me a shot at being an intern.įrom there, I kind of knew it would just be a grind. So I just started calling up every studio in town.
#Strangeland podcast koreatown how to
Because there’s no blueprint or guide as to how to do that.
#Strangeland podcast koreatown professional
I’m also very proud in the way that I’ve tackled challenges and in my ability to take risks.Īfter I graduated, I remember sitting in my bedroom in Philly and wondering how I could even get started being a professional producer/songwriter. I’ve been very lucky in many of the opportunities that have landed in my lap. I have my own studio in Koreatown, and my days mainly consist of writing and producing new songs for KPOP labels, Nickelodeon, Disney, or for artists I’m am working with here in the US. I started focusing more on writing and producing music for KPOP and JPOP, and since late 2016, I’ve had a number of very successful songs. I quickly fell in love with LA and felt I’d found my home. I relocated to LA in 2016, mainly because most of the people I was working with were living here. Through these gigs and general networking/hustling, I started working with Nickelodeon and Disney, and I made some friends in the Korean pop (KPOP) and Japanese pop (JPOP) industries. It was through this work that I was able to network into writing music for commercials.Īfter I moved to New York in 2011, I continued working as a commercial songwriter and producing local NYC indie artists. I got started working as an audio engineer in a studio in Philadelphia after I graduated from Drexel University.
Today we’d like to introduce you to David Amber.ĭavid, can you briefly walk us through your story – how you started and how you got to where you are today.
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